Matthew David Brozik on “Office Creeper”

Continuing our new Behind The Story series, here's Matthew David Brozik on his Issue #2 story, "Office Creeper".

- Q


Matthew David Brozik

Matthew David Brozik

In 2008 — the day before Halloween, as it happened — my wallet was stolen in more or less exactly the way I describe Mason Blank’s wallet’s being stolen in “Office Creeper.” The office personnel in the story are similar to the people I worked with at the time. Although having your wallet stolen by a real-life office creeper might well seem like the sort of thing that would — and even should — inspire a short story, I didn’t use the incident as fodder for some five years. I couldn’t tell you why.

When I did write the story, and I had to decide what was in Mason’s wallet that was so important, I first drew a blank, of course. This was — is — the crux of the story, after all. I realized that it had to be something dangerous… and uncontrollable, or only partially controllable. At that point I remembered the otherworldly creatures I’d created for a to-date-not-yet-published comic supernatural murder mystery novel I’ve written — "mirmyjs" and "umbryjs." And an umbryj fit the bill quite nicely.

As for the front of the card… My brother-in-law bought a pack of cards that read “You’re a douche,” and he gave me one. To give to someone else. Not because he has a low opinion of me. I’m pretty sure, anyway. And that’s what inspired the card in the story.

While the “lesson” of “Office Creeper” might seem to be that someone has to pay for a crime, the lesson of the real life incident was that there are good people in the world — even in New York City. The man who found my wallet and turned it over to his boss, who called me, didn’t have to do that. He could just as easily — more easily, really — have done nothing. But that man saved me a hell of a lot of trouble, and in the end my loss was purely monetary. And then I got a good short story out of the experience.

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Chris Starr on "Same Oak"

Chris Starr, author of Issue #1's story, "Same Oak", sent this along. I thought it'd make a perfect "behind the scenes" post. We'll try to do more of these as we can. Enjoy.

- Quinn


Chris Starr

Chris Starr

I went through one of my notebooks the other day and came across this: the first page of notes on what would become the story "Same Oak". I'd been working on a collection of stories (still am) based on my time in the Basque Country and the people I've met there. Prior to "Same Oak", the stories all focused in very closely on the one or two characters at their centers, without reaching too far out into the wider world. 

With "Same Oak", I still wanted to tell a very personal story about the restaurant owner Joseba, about his roles as father and as son. But I also wanted to frame this story in the greater world, specifically that aspect of the Basque Country which has regrettably become its best known: the terrorist and extortionist activities of the radical pro-independence group ETA. So it is that Joseba is a reluctant contributor of the "revolutionary tax": protection money that ETA charged businesses in the Basque Country — including her internationally recognized restaurants — to ensure that those businesses would remain standing.

With "Same Oak", I wanted to explore how the social and political are inextricably tied to the private and the personal, and ultimately how — large or small — violence can only lead to a more violent world.